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类型:爱情片
主演:斯特凡诺·阿科尔西 维多里娅·普契尼 Vittoria Puccini
导演:加布里埃莱·穆奇诺
语言:意大利语
年代:未知
简介:卡洛(斯蒂芬努·阿科西 Stefano Accorsi 饰)、保罗(克劳迪奥·桑塔玛利亚 Claudio Santamaria 饰)、阿迪亚诺(乔治欧·帕索蒂 Giorgio Pasotti 饰)、洛伦佐(皮里莫·雷吉安尼 Primo Reggiani 饰)、利维亚(萨宾娜·伊姆帕西亚托 Sabrina Impacciatore 饰)等8名好友如今都已经步入中年,生活和感情均发生了翻天覆地的变化。 卡洛曾经背叛了自己的女友茱莉亚(维多里娅·普契尼 Vittoria Puccini 饰),甚至不顾她当时腹中怀上的自己的骨肉。然而,随着时间的推移,卡洛和茱莉亚都发现他们的内心里无法忘怀彼此的存在,破镜能否重圆呢?那边厢,同样误入歧途的保罗浪子回头,发誓要不惜一切代价,让前妻维罗妮卡(达妮埃拉·皮亚扎 Daniela Piazza 饰)重新回到自己的身旁。
备注:已完结
类型:剧情片
导演:让-马里·斯特劳布
语言:其它
年代:未知
简介: 转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai” “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
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类型:喜剧片
主演:Jesdaporn Pholdee Sahaphap Tor Ekac
导演:翁乙
语言:其它
年代:未知
简介: 泰国一支男子排球队于1996年比赛中取得冠军,观众对于队员的精湛球技并无质疑,令人议论纷纷的却是队员的身份性别:因为他们不是同性恋者便是变性人。虽然球队只属业余性质,但他们在初赛时所向披靡,且顺利进入六个月后举行的总决赛,可惜问题接续而来:他们之间的内哄、外间球队的冷嘲热讽,还有排球比赛协会的蓄意排斥……