备注：已完结
类型：科幻片
主演：杜夫·龙格尔 克里斯·泽尔卡 罗瑞·卡尔金 托马斯·戴克 萨宾娜·加德
导演：Trevor Ryan
语言：英语
年代：未知
简介： Deep in the Northern California woods, in the heart of the notorious Emerald Triangle, lies a remote cabin. The residents struggle to fight off the repeated attacks and abductions by mysterious creatures that have plagued them for years. When a local pot farmer is caught up with a wayward group of campers the situation quickly escalates into total carnage.
备注：已完结
类型：喜剧片
主演：威尔森·杰梅因·贺雷迪亚 戴安娜·加德瑞 Josie DiVincen
导演：Scott Rubin J. Garrett Vorreuter
语言：英语
年代：未知
简介：After reserving their dream wedding package at Niagara Falls, Dean and Darren learn they've booked themselves in a run-down motor lodge sandwiched between two chemical plants run by some guy named Shibbawitz and a Burmese refugee family.
备注：已完结
类型：剧情片
主演：Gregory Peck Christopher Plummer Jo
语言：英语
年代：未知
简介：德军进驻意大利后，一项非常重要的任务是追捕从其他国家监狱逃到梵蒂冈寻求庇护帮助的盟军战士。虽然由于担心危害到梵蒂冈的中立地位，教皇不能支持任何帮助这些前来寻求庇护的人，奥弗莱厄蒂神甫仍然不顾个人安危，在极其困难的情况下，坚持帮助任何一个前来请求帮助的人。随着奥弗莱厄蒂神甫的影响日益广泛，他成为罗马党卫军头目卡普勒急于除掉的心腹大患。面对卡普勒气急败坏的威胁，奥弗莱厄蒂大义凛然、从容不迫、机智地变换...
备注：已完结
类型：喜剧片
主演：米莎·巴顿 里斯·汤普森 布鲁斯·威利斯 迈克尔·拉帕波特 凯瑟琳·莫
语言：英语
年代：未知
简介：芬克（瑞斯·丹尼尔·汤普森 Reece Daniel Thompson 饰）想加入校报成就自己的记者梦，但是同学都在拿他高二时的糗事开涮，还好校报编辑克拉拉给了他一个证明自己的机会——写一篇关于学生会主席保罗的专稿。为此，芬克忍受着同学的嘲讽与校长（布鲁斯·威利斯 Br uce Willis 饰）的点名，投入调查之中。期间，保罗的女友弗朗切斯卡（米查·巴顿 Mischa Barton 饰）曾经请他帮忙寻找失踪的SAT试卷。结果，芬克发现偷试卷者正是保罗，他也因这篇稿件一鸣惊人，不但克拉拉要给他西北大学的推荐信，弗朗切斯卡也来主动示好，两人于是开始正式交往。幸福来得措手不及，这让芬克难以招架，正当他享受热恋之时，却有事实表明——保罗是被冤枉的。当芬克发现自己成了幕后黑手的帮凶时，真正的威胁才刚刚开始……
备注：已完结
类型：剧情片
主演：未知
导演：Arcady Boytler Raphael J. Sevilla
语言：西班牙语
年代：未知
简介：Starting with the leading performance from the first diva in Mexican cinematography according to some (Andrea Palma), without forgetting Domingo Soler who also makes a great contribution to the cast in this film, then the great strength of the plot and the masterful direction by Arcady Boytler. All in all this movie cannot be considered less than excellent. So yes, maybe some of the scenes don't result quite the way they should, but most of them do. Particularly the scene from the carnival at the beginning of the movie and the last scene bring you to the verge of tears. Yes it also many elements of a catholic moral (Rosario lives in guilt, her way of paying her sins is by means of sacrifice), but we have to consider the movie was released in 1934 and the Mexican society of the time had those values dictating our lives and, weather we take this into consideration or not, I think the the plot is really really tough and the theme very strong. Maybe nowadays we have many movies with plots that are twice or thrice as tough, but I think this is still a great, great movie and has no soap opera can never even remotely compare with it. Also, it is one of the first movies with recorded sound in the Mexican film industry.
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类型：剧情片
主演：Gila Almagor
语言：其它
年代：未知
简介： The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
